I have been known to say that William Gibson is arguably the most important author of the past 30 years. That’s a mouthful of an assertion, especially since we’re talking about a genre writer, I know. But even if I’m wrong, I’m not off by much. The man who more or less invented Cyberpunk, then abandoned it as quickly as he defined it, did more than simply alter the direction of science fiction, he literally helped shape the computing and Internet landscape as we know it today. That’s pretty big doings for a guy who had never so much as played with a computer before he wrote his first novel.
This story we’ve heard before, but here’s the Reader’s Digest version for those late to the party. Gibson’s Neuromancer (the first novel to ever win the SF triple crown – the Hugo, the Nebula, and the Philip K. Dick awards) introduced us to cyberspace, a “consensual hallucination” in which humans used computers to navigate around the global online network. He imagined it as an immense, three-dimensional virtual space, and as his “Cyberspace Trilogy” (Neuromancer, Count Zero, Mona Lisa Overdrive) unfolded, we also encountered killer viruses, psychic online projections of humans whose flesh was being kept technically alive in protein baths out in meatspace, and even artificial life forms that had evolved from advanced artificial intelligences created by powerful corporate interests. Continue reading “Changing science fiction, changing the world: Scholars & Rogues honors William Gibson”