Prediction is a big, big business these days, and even those of us who aren’t explicitly in the prediction business probably do all we can to make sense of the future. For example: Does your company do marketing research? (If it’s a business of any size and sophistication, the answer is probably yes.) Do you track the financial pages? Do
Read moreThrough the years, Jamie Hoover has not only produced a string of fantastic records with his band, The Spongetones, he has also produced, engineered, played with, and hung with damned near everybody, or so it seems from reading a comprehensive credit list. Yet somehow he remains one of those incredibly talented people who never quite reap the acclaim they deserve
Read moreI’ve known Jim Booth since August of 1975, when I walked into my freshman English class at Ledford High School and ran headlong into a teacher one of my friends had advised me to avoid (that’s the problem with being 14 – you don’t yet know that your friends are idiots). Booth was different – aggressively different – from any
Read moreI think it was fall of 1989. My friends John and Cindy Cavanaugh called to say that “Paul’s band” was playing in Winston-Salem that night, and that they were driving up from Charlotte, and did I want to meet them for the show. Sure, what the heck. I’d been hearing about John’s old buddy Paul for a long time, and
Read moreSome of the best things in life we trip over completely by accident. A few years back a friend of mine invited me to come see his band play a warm-up gig at The Snake Pit in Denver. The headliner was Plexi, a band he was really big on, so it was one of those two bird/one stone deals. Plexi
Read moreIn my not-so-humble estimation, Don Dixon is one of the four or five best producers alive. He’s twiddled the knobs for Kim Carnes, The Connells, Marshall Crenshaw, Pat DiNizio, Emmet Swimming, Guadalcanal Diary, The Pinetops, James McMurtry, The Windbreakers, Moxy Früvous, Marti Jones, Let’s Active, The Spongetones, Chris Stamey and Matthew Sweet, to name a few. He co-produced Tommy Keene’s
Read moreJeff Foster’s first band, The Right Profile, remains one of the three best bands I ever saw that never “made it.” They managed a remarkable balance of verve and melancholy, moving easily between house-shakers like “Shacktown Road” and hauntingly beautiful ballads like “Underneath the Window.” I once saw them take the stage in front of a packed, jacked house, only
Read moreL.A. pop diva Wendie Colter recently took a few moments out from the busy task of promoting her new CD, Payday, to play 22 Questions with The Lullaby Pit. Payday was #4 on the Pit’s Best CDs of 1999, and despite a complete lack of help from the corporate music complex, it’s getting spin on stations across the country. 1:
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