New Twin Peaks series?! Dear David Lynch, The Raveonettes, The Blueflowers and The Lost Patrol belong on the soundtrack
Three new CDs worth 15 stars from three bands that were born for Twin Peaks…
You may have heard:
You may have heard:
Lilac, lovelace / remind me of / your true grace
About four years ago I tripped across a band called The Lost Patrol. Since then I’ve noted their work a number of times: they made my best CDs for 2007 and 2008 reviews; their music served as a key element in a piece on the nonlinearity of influence; and they were the subject of a TunesDay post on the band’s “epic retro-futurism.”
Their lead singer when I found them was one Danielle Kimak Stauss, a woman whose hypnotic vocals haunted Steven Masucci’s vast, empty musical landscapes with an ice-cold passion that bordered on the transcendent. After 2007’s superb Launch & Landing Stauss and the band parted ways, and while LP has produced two wonderful CDs in the interim (featuring new singer Mollie Israel), Danielle was nowhere to be heard. Read more
Most years are pretty good for music if you know where to look, and 2008 was no exception. It’s a shame that you have to search so hard, of course – once upon a time all you needed to keep track of what was good in the world of music was a radio. These days it requires a little effort, though, and while I lost count a long time ago, I probably sampled a few hundred CDs in the last 365. Thank the gods for the Internet and a growing network of friends who make sure to let me know whenever they hear something worthy, huh?
This is part one of three. The Platinum LP Awards will be along soon, and that will be followed by the CD of the Year post. So here we go with last year’s Gold Awards for Very Good CDs. These are in alphabetical order, more or less. Band Web sites link to the band name, and if the CD is available via eMusic, that links to the CD title. If you want to purchase from eMusic, click on the link in the right column for a really good deal (as in lots of free downloads).
Here’s how the blurb at CD Baby puts it:
Cinematic ethereal, spaghetti western flavored retro-futuristic music with powerful female vocals. // A sweeping, cinematic, wide-screen journey that combines ethereal sound scapes with surf-tinged guitar. Perfect for those late night rides across the desert with the top down.
Uniquely original retro-futurism.
“I’m interested in what motivates you, and how you understand the world.” He glanced sideways at her. “Rausch tells me you’ve written about music.”
“Sixties garage bands. I started writing about them when I was still in the Curfew.””Were they an inspiration?”
She was watching a fourteen-inch display on the Maybach’s dash, the red cursor that was the car proceeding along the green line that was Sunset. She looked up at him. “Not in any linear way, musically. They were my favorite bands. Are,” she corrected herself.
I’ve always been intrigued by the curious dynamic of influence. Read more
Welcome back to part two of our annual music wrap-up. Today we award the Platinum LPs, given for superior achievement. (If you missed part one, click here to review the Gold LP winners, updated to include three inadvertent omissions.) These appear in no particular order.
The Birthday Massacre: Walking with Strangers
Torontoâ€™s The Birthday Massacre is a study in contradictions. Read more