Tag Archives: audience

Is your house haunted?

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Horror of the “gothic” variety that occupied so much of the conversation between Byron and the Shelleys (these would be the conversations that ultimately gave rise to Frankenstein) has traditionally traded in some easily recognizable tropes. Among the most common are your haunted places. Swamps and moors are always a little scary. Graveyards and crypts, of course. Transylvania.

And then there’s haunted houses. Dark mansions, castles on top of hills. Abandoned homes where terrible things once happened. Subdivisions built on top of Indian burial grounds. And so on. Read more

Jon & Kate: a sign of the times to come

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If you’ve been off-planet for the last few months you may have missed the news: Jon & Kate have split, and in the process migrated from the relative banality of the TV listings over to the hyper-banality of the tabloids. I’m still not sure what the future holds for the popular “reality” show, but whatever it is, Gosselin family 2.0 equals Jon minus Kate.

It occurs to me that these events represent something significant in our culture. Since about 1980 or so we’ve been in one of our periodic “childrens is the most preciousest things in the whole wide world” phases. (For more on the generational cycles that produce this dynamic, see Generations, 13th Gen and Millennials Rising by William Howe and Neil Strauss, two men whose work I have referenced a number of times in the past.) In the previous generation (Gen X), children were an afterthought for most parents, who had been socialized in far more self-centric times. Read more

Why American media has such a signal-to-noise problem, pt. 2

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Part 2 of a series; Previously: What Bell Labs and French Intellectuals Can Tell Us About Cronkite and Couric

The Signal-to-Noise Journey of American Media

The 20th Century represented a Golden Age of Institutional Journalism. The Yellow Journalism wars of the late 19th Century gave way to a more responsible mode of reporting built on ethical and professional codes that encouraged fairness and “objectivity.” (Granted, these concepts, like their bastard cousin “balance,” are not wholly unproblematic. Still, they represented a far better way of conducting journalism than we had seen before.) It’s probably not idealizing too much to assert that reporting in the Cronkite Era, for instance, was characterized by a commitment to rise above partisanship and manipulation. The journalist was expected to hold him/herself to a higher standard and to serve the public interest. These professionals – and I have met a few who are more than worthy of the title – believed they had a duty to search for the facts and to present them in a fashion that was as free of bias as possible.

In other words, their careers, like that of Claude Shannon, were devoted to maximizing the signal in the system – the system here being the “marketplace of ideas.” Read more

Why American media has such a signal-to-noise problem, part 1

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Part one of a two-part series.

From Cronkite to Couric: the Kingdom of Signal is swallowed by the Empire of Noise

The recent death of Walter Cronkite spurred the predictable outpouring of tributes, each reverencing in its own way a man who was the face and voice of journalism in America for a generation or more. The irony of all these accolades is that we live in an age where “broadcast journalist” is such a cruel oxymoron, and we seem to speeding headlong into an era where the word “journalist” itself threatens to become a freestanding joke. Why, against this backdrop, would so many people who are so involved in the daily repudiation of everything that Cronkite stood for make such a show memorializing the standard by which they so abjectly fail?

As I read what people had to say about Cronkite, I realized that something I studied and wrote about over a decade ago helps explain why our contemporary media has gone so deeply, tragically wrong. Read more