Wedding Song – a poetry reading (ArtSunday)
Apocalyptic neo-Symbolism. With some tangential comment on the pedestrian state of contemporary poetry.
Read moreApocalyptic neo-Symbolism. With some tangential comment on the pedestrian state of contemporary poetry.
Read more…and win a prize! Recently I was moving into my new office and decided to do something at least a little interesting on my walls. First I put these together – artistic treatments of my four favorite poets: Eliot, Yeats, Thomas and Charles Wright, who is probably our greatest living versificationist.
Read moreWhen we created the new WordsDay graphic above a few weeks back we challenged everybody to name all the authors. Some of you took a shot, and I think the best set of guesses got about 10 of 15 right. So, for those of you who have been dying of curiosity, here are the answers. Left to right: William Butler
Read more“I’m interested in what motivates you, and how you understand the world.” He glanced sideways at her. “Rausch tells me you’ve written about music.” “Sixties garage bands. I started writing about them when I was still in the Curfew.””Were they an inspiration?” She was watching a fourteen-inch display on the Maybach’s dash, the red cursor that was the car proceeding
Read more[An artist] should copy the masters and re-copy them, and after he has given every evidence of being a good copyist, he might then reasonably be allowed to do a radish, perhaps, from Nature. – Edgar Degas I went to see the “Inspiring Impressionism” exhibit yesterday at the Denver Art Museum and came away struck by how remarkably it addressed
Read moreNot long ago I was bitching about how utterly banal I think a lot of contemporary poetry is. Shortly thereafter I got a note from scrogue JS O’Brien saying he thought I might appreciate a poet he knew a little about, Brigit Pegeen Kelly. So I hit my Internets and tracked her down. The first poem of hers that I
Read moreIn fall of 1987 I was in my first semester of an English MA program at Iowa State, and was taking a seminar in contemporary American poets. The class was an eye-opener for me, as I’d not read many poets later than Dylan Thomas, and if you’re going to be a real writer it’s always helpful to know a thing
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