New Twin Peaks series?! Dear David Lynch, The Raveonettes, The Blueflowers and The Lost Patrol belong on the soundtrack
Three new CDs worth 15 stars from three bands that were born for Twin Peaks…
You may have heard:
You may have heard:
It started innocently enough, as these things often do, with our boy Dan Ryan on Facebook wishing there was a video of the gopher from Caddyshack dancing to “Water of Love” by Dire Straits. Which, turns out, is actually a thing. That caused me, for some odd reason, to wonder what the movie would have been like if David Lynch had directed.
Then Jim Booth got involved, and it was all downhill from there.
So here it is, our best guess as to how Lynch would have cast the film, along with some plausible plot twists. Read more
Lilac, lovelace / remind me of / your true grace
About four years ago I tripped across a band called The Lost Patrol. Since then I’ve noted their work a number of times: they made my best CDs for 2007 and 2008 reviews; their music served as a key element in a piece on the nonlinearity of influence; and they were the subject of a TunesDay post on the band’s “epic retro-futurism.”
Their lead singer when I found them was one Danielle Kimak Stauss, a woman whose hypnotic vocals haunted Steven Masucci’s vast, empty musical landscapes with an ice-cold passion that bordered on the transcendent. After 2007’s superb Launch & Landing Stauss and the band parted ways, and while LP has produced two wonderful CDs in the interim (featuring new singer Mollie Israel), Danielle was nowhere to be heard. Read more
Horror of the “gothic” variety that occupied so much of the conversation between Byron and the Shelleys (these would be the conversations that ultimately gave rise to Frankenstein) has traditionally traded in some easily recognizable tropes. Among the most common are your haunted places. Swamps and moors are always a little scary. Graveyards and crypts, of course. Transylvania.
And then there’s haunted houses. Dark mansions, castles on top of hills. Abandoned homes where terrible things once happened. Subdivisions built on top of Indian burial grounds. And so on. Read more
Most years are pretty good for music if you know where to look, and 2008 was no exception. It’s a shame that you have to search so hard, of course – once upon a time all you needed to keep track of what was good in the world of music was a radio. These days it requires a little effort, though, and while I lost count a long time ago, I probably sampled a few hundred CDs in the last 365. Thank the gods for the Internet and a growing network of friends who make sure to let me know whenever they hear something worthy, huh?
This is part one of three. The Platinum LP Awards will be along soon, and that will be followed by the CD of the Year post. So here we go with last year’s Gold Awards for Very Good CDs. These are in alphabetical order, more or less. Band Web sites link to the band name, and if the CD is available via eMusic, that links to the CD title. If you want to purchase from eMusic, click on the link in the right column for a really good deal (as in lots of free downloads).
Here’s how the blurb at CD Baby puts it:
Cinematic ethereal, spaghetti western flavored retro-futuristic music with powerful female vocals. // A sweeping, cinematic, wide-screen journey that combines ethereal sound scapes with surf-tinged guitar. Perfect for those late night rides across the desert with the top down.
Uniquely original retro-futurism.
“I’m interested in what motivates you, and how you understand the world.” He glanced sideways at her. “Rausch tells me you’ve written about music.”
“Sixties garage bands. I started writing about them when I was still in the Curfew.””Were they an inspiration?”
She was watching a fourteen-inch display on the Maybach’s dash, the red cursor that was the car proceeding along the green line that was Sunset. She looked up at him. “Not in any linear way, musically. They were my favorite bands. Are,” she corrected herself.
I’ve always been intrigued by the curious dynamic of influence. Read more