The new Mailbox app for iPhone and iPad: so far, a waste of time

Like many of you, I had been hearing about this new app called Mailbox. The buzz said it was a killer mobile app that was in nearly every respect superior to the default e-mail program in iPhone and iPad. So I went to the App Store and signed up, only to be told that I was in line behind a couple hundred thousand people. Wow, I thought. This must be some hellacious app. Then, a few days ago, the news broke that Mailbox was being bought by Dropbox. “Rather than grow Mailbox on our own, we’ve decided to join forces … Continue reading The new Mailbox app for iPhone and iPad: so far, a waste of time

Why American media has such a signal-to-noise problem, pt. 2

Part 2 of a series; Previously: What Bell Labs and French Intellectuals Can Tell Us About Cronkite and Couric

The Signal-to-Noise Journey of American Media

The 20th Century represented a Golden Age of Institutional Journalism. The Yellow Journalism wars of the late 19th Century gave way to a more responsible mode of reporting built on ethical and professional codes that encouraged fairness and “objectivity.” (Granted, these concepts, like their bastard cousin “balance,” are not wholly unproblematic. Still, they represented a far better way of conducting journalism than we had seen before.) It’s probably not idealizing too much to assert that reporting in the Cronkite Era, for instance, was characterized by a commitment to rise above partisanship and manipulation. The journalist was expected to hold him/herself to a higher standard and to serve the public interest. These professionals – and I have met a few who are more than worthy of the title – believed they had a duty to search for the facts and to present them in a fashion that was as free of bias as possible.

In other words, their careers, like that of Claude Shannon, were devoted to maximizing the signal in the system – the system here being the “marketplace of ideas.” Continue reading “Why American media has such a signal-to-noise problem, pt. 2”