Tag Archives: Sarah McLachlan

TunesDay: what’s in your collection?

There are all kinds of fun arguments to be had over which band is best or whether one’s taste is critically defensible (*cough*Brian used to listen to Madonna and Gloria Estefan*cough*) and, of course, my favorite – can we separate what we like from our critical faculties (that is, is your “favorite” list different from your “best” list)?

But there’s one sure measure of what music we really care about the most, for whatever reason, and that’s how much of our money we spend on it. So today’s TunesDay question is this: what artists do you own the most music from?

Feel free to answer however makes sense, and yes, we take into account the fact that you may own everything from a band that quit too soon. I have one of those myself. Here’s my list: Read more

TunesDay: what is, what was and what almost was – the S&R interview with Don Dixon

I’ve been a very big Don Dixon fan since the late ’70s, so when his new CD, The Nu-Look, dropped I was bouncing around the living room like Snoopy doing a happy dance. Sadly, a lot of people don’t know Don’s music – although many know his work as the producer of Murmur and Reckoning by REM and multiple records from The Smithereens and Guadalcanal Diary (as well as stuff from Chris Stamey, Beat Rodeo, Kim Carnes, The Connells, Marshall Crenshaw, Hootie & the Blowfish, Tommy Keene, Let’s Active, James McMurtry, The Pinetops, The Reivers, Matthew Sweet and X-Teens).

The new disc marks something of a departure. Read more

The Best CDs of the 1990s

Below is my Best CDs of the 1990s list. I never kidded myself for a second that I could produce a definitive review – if I can’t even convince myself that the list is as good as I’d like it, I can hardly fault others for disagreeing here and there, can I?

In the end I wound up deciding on a Top 25 list, and I also offered comments on 25 more honorable mentions. The whole thing, top to bottom, is something like 10 pages worth of reviewing, analysis, and self-defense. I even employed multiple methodologies. First, I tried laying it out by a “connoisseurship” model – that is, I made my own estimates based on my own sense of how things qualitatively met the criteria I established for the project. Then I played a little game where I weighted each criterion and then rated each entry mathematically, thereby generating a quantitative estimate. This had the effect of making me seriously reconsider my initial rankings (for instance, it forced me to give Pearl Jam more credit than I really wanted to – see below for more on that).

Then I sent the list to some friends whose opinions I respect and invited criticism (which I got, in spades – thanks, Greg). That forced some more noodling. Then I set about writing and justifying my picks, and that ALSO led to some revision (if I have a hard time justifying its place in the Top 25, that could mean I’m over-relying on my “like” reflex). Read more