Final part in a series. How appropriate that a publication whose launch was dominated by photography of the technological wonder of the day should end its run with an equally impressive tribute to mankind’s latest technological accomplishment. As noted earlier, LIFE’s final issue was released a scant three weeks after Apollo 17, NASA’s last trip to the moon, and in
Read morePart five in a series. LIFE’s portrayal of the space race represented, in most respects, a logical extension of its war coverage. Many of the space program’s early goals were military in nature, and as in World War II, technology was once again both demon and messiah, depending on whether it was theirs or ours. . . .Sputnik proved that
Read morePart four in a series. The terrible specter of nuclear annihilation was now clear in the American mind, a condition that LIFE acknowledged and addressed. But in the months that followed V-J Day an odd thing happened, as military testing of the new weaponry provided an opportunity for bomb-watchers to indulge their awe without having to confront the frightful context
Read morePart three in a series. In an age and a culture dominated by scientism, the word “sample†tends to invoke the adjectival “representative,†and I cannot begin to imagine culling a meaningful representative sample from LIFE’s 400-plus issues. Still, it seems important to devote a few pages to what happened with LIFE and technology between the Fort Peck Dam and
Read morePart two in a series. As I suggested in Part One, the messianic/utopian view of science and technology attributed to LIFE Magazine is consistent with an ideological bent that traces its lineage to the dawn of the Enlightenment in Europe. Francis Bacon’s highly influential New Atlantis, first published in 1626, recounts the narrator’s fictional shipwreck on the shores of Bensalem,
Read morePart one in a series. During its 36-year run, LIFE Magazine traversed a period of technological innovation and peril unsurpassed in the recorded history of humanity. As the first issue was released in November of 1936, a resurgent Germany was constructing the most awesome war machine the world had yet seen, a development that literally threatened the very future of
Read more
lullaby pit 