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TunesDay: The best CDs of 2008, pt. 2 – the Platinum LPs

Posted on 2009.01.13 by winterSmith 6 comments

Our Best CDs of 2008 continues today with a review of the super-premium Platinum Award winners for Excellence in rocking and rolling. As with last week’s Gold Awards, these are in alphabetical order. Band Web sites link to the band name, and if the CD is available via eMusic, that links to the CD title. (Mike Smith of Fiction 8, in last week’s comments, recommended that you buy from the band’s Web site or Amazon, if possible, because the artists get a better cut of the proceeds that way. Duly noted.)

Speaking of Fiction 8, let’s get this out of the way first

Fiction 8 – Project Phoenix
I have a rule – I never include in my official ratings CDs that I had something to do with, no matter how great I think they are. And since I co-wrote “Hegemony,” the track that closes this disc, that means that Fiction 8 is officially disqualified. This doesn’t mean I can’t tell you what I think I’d think about the record if I weren’t laboring with a conflict of interest, though. Read more

TunesDay: S&Recommends Lucky Soul (and a few others)

Posted on 2008.10.07 by winterSmith 3 comments

A guy on one of my music lists posted a question this morning: what’s everybody digging from eMusic these days? Wow – it’s like he knew it was TunesDay and wanted to set me up for another round of S&Recommends, huh?

Well, I don’t need a lot of prodding, so here you go. I’ve mentioned a couple of these before, I know, but great music is the sort of thing it’s okay to harp on…

The Gaslight Anthem: The ’59 Sound – Here are some Jersey boys who have listened to Springsteen. And, I’m guessing maybe Marah. And The Killers, and possibly even a touch of Tommy Conwell? Read more

TunesDay: What once was old shall be new again

Posted on 2008.05.13 by winterSmith 6 comments

There is nothing new under the sun, or so they say.

I’m not a big fan of groups that slavishly imitate their influences, but I do love bands with a sense of history and a desire to explore older styles in search of new angles. This obviously establishes a tricky standard – be true to the masters, but not … too true. It’s equally tricky for me as a listener and armchair critic, as well – I might like a contemporary band for the same reasons I liked the bands they’re riffing on, but is there enough in the way of originality going on? As I’ve noted before, the CDs I like and those I think are great aren’t always the same ones. Read more