Tag Archives: REM

REMembering: from Reynolds Auditorium to Carver Hawkeye

You’ve probably heard by now: REM, one of the progenitors of alt.rock has called it quits after 30 years and 15 albums. The first five REM records (Murmur, Reckoning, Fables of the Reconstruction, Life’s Rich Pageant and Document) deserve at least 18 stars out of a possible 20 and 1992’s Automatic for the People earned five more. By any standard, they

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TunesDay: Are The Killers the greatest band in the world? We find out today…

A lot of bands have released pretty good debut records, only to follow them up with less-than-spectacular careers. The rule used to be (before the FCC, the recording industry and the radio industry conspired to destroy all music) that you learned what you needed to know about a band with its third album. Given how things worked, you often saw

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TunesDay: what is, what was and what almost was – the S&R interview with Don Dixon

I’ve been a very big Don Dixon fan since the late ’70s, so when his new CD, The Nu-Look, dropped I was bouncing around the living room like Snoopy doing a happy dance. Sadly, a lot of people don’t know Don’s music – although many know his work as the producer of Murmur and Reckoning by REM and multiple records

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22 Questions with Don Dixon

In my not-so-humble estimation, Don Dixon is one of the four or five best producers alive. He’s twiddled the knobs for Kim Carnes, The Connells, Marshall Crenshaw, Pat DiNizio, Emmet Swimming, Guadalcanal Diary, The Pinetops, James McMurtry, The Windbreakers, Moxy Früvous, Marti Jones, Let’s Active, The Spongetones, Chris Stamey and Matthew Sweet, to name a few. He co-produced Tommy Keene’s

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