Tag Archives: trip-hop

The Best CDs of 2009, pt. 3: the Super-Platinum LPs

In Part 1 we noted that 2009 had produced some really good music. In Part 2 we explained that the past year had given us some really great music. Today, though, we take an unprecedented step, because a few of the platinum-level releases from 2k9 were simply a cut above the rest, necessitating the creation of a Super-Platinum LP award. But that’s okay – if artists keep cranking out more exceptional music than we have categories to deal with, we’ll keep inventing new ways of honoring their efforts.

IAMXKingdom Of Welcome Addiction
Darkness? Yeah, Chris Corner knows a thing or two about darkness, and in Kingdom Of Welcome Addiction he’s kind enough to escort us through a blasted, perversely alluring landscape of addiction, lust, self-loathing, sexual degeneracy, spiritual poverty and alienation that’s about as dark as it gets. And the landscape is distinctly British in a way that recalls perhaps the greatest portrait of England ever painted, TS Eliot’s The Waste Land. Read more

TunesDay: The best CDs of 2008, pt. 2 – the Platinum LPs

Our Best CDs of 2008 continues today with a review of the super-premium Platinum Award winners for Excellence in rocking and rolling. As with last week’s Gold Awards, these are in alphabetical order. Band Web sites link to the band name, and if the CD is available via eMusic, that links to the CD title. (Mike Smith of Fiction 8, in last week’s comments, recommended that you buy from the band’s Web site or Amazon, if possible, because the artists get a better cut of the proceeds that way. Duly noted.)

Speaking of Fiction 8, let’s get this out of the way first

Fiction 8Project Phoenix
I have a rule – I never include in my official ratings CDs that I had something to do with, no matter how great I think they are. And since I co-wrote “Hegemony,” the track that closes this disc, that means that Fiction 8 is officially disqualified. This doesn’t mean I can’t tell you what I think I’d think about the record if I weren’t laboring with a conflict of interest, though. Read more

TunesDay: Ooh la la

One of my favorite musical sub-genres is sort of an off-shoot of trip-hop, a sultry urban electropop district where the downbeat influence of Portishead meets up with all kinds of interesting characters dressed like David Bowie in the ’70s. California pure pop a la Burt Bacharach, for instance, which we find in the likes of Saint Etienne (and the solo work of singer Sarah Cracknell), Mono and Hooverphonic.

These groups are almost always fronted by female vocalists, and every year or two I trip across another one that just blows me away. Read more