If you pay attention to my music entries, you may have noticed a recurrent theme. It seems a lot of the bands I hear these days, many of which I really like, remind me of bands from the past. Like The Mary Onettes:
I recently tripped across one such example, Sweden’s The Mary Onettes. They can’t seem to make up their minds whether they want to be The Church, Echo & the Bunnymen, or maybe something along the Joy Division/New Order continuum.
And The Flaws:
In a nutshell, The Flaws are [Joy Division] meets The Killers with a smattering of Johnny Marr. Continue reading “TunesDay: that new old sound”
It has been alleged that Scholars & Rogues is not, strictly speaking, a political blog. Sure, we write about overtly political issues and devote our share of time to things like media policy, energy and the environment, business and the economy, and international dynamics. Yes, we were credentialed to cover the DNC, but we don’t really do hard, insider, by god politics. Daily Kos is a political blog. Firedoglake is a political blog. Little Green Footballs, The Agonist, Politico, The Seminal – these are real poliblogs.
S&R, on the other hand, writes about music. About literature and poetry. About art. Education. Sports. Culture and popular culture. The Ramsey case and what it tells us about the state of media. And now that the election is over, S&R is writing about politics less than ever.
So really, what is S&R? Continue reading “The Scholars & Rogues Manifesto: what are we doing here?”
We’re fond of calling our great rock stars poets. Dylan is a poet. Springsteen is a poet. John Lennon was a poet. Jim Morrison (*gag*) was a poet. And so on. Certainly the first three (have) produced some marvelous words, but as a poet – forgive me if I call myself a “real” poet here – I’ve never quite been willing to accord their work the status of poetry. This isn’t necessarily a slam – their work isn’t architecture, either. Continue reading “WordsDay: the hegemony of poetry and lyrics”
The mid-1970s were a wonderful time for music lovers. For starters, exciting and innovative new music was popping up all over the place. And when it did, it actually got played on the radio.
The UK was especially fertile ground during this period, as scores of punk and New Wave acts emerged (many from the “pub rock” scene) in the most dynamic explosion of music since the British Invasion. One of the most outstanding of these was Graham Parker, who in 1976 released not one, but two instant five-star classics – Howlin’ Wind and Heat Treatment.
While some of his contemporaries (most notably Elvis Costello) became wildly famous, arguably nobody in rock history has posted a more enduring legacy of critical success. Continue reading “The inaugural Scholars and Rogues Interview (and our newest Scrogue): Graham Parker”