With the 1962 World’s Fair, Seattle asserted itself as the city that invented the future. Seattle Center, home to the Space Needle, Key Arena, the Pacific Science Center and other Jetsonesque architectural wonders, gave us a stunning Mid-Century Modern vision of our presumed technotopian future. In 2000 the EMP Museum opened, inserting a postmodern generational overlay in the form of Frank Gehry’s gripping postmodern architectural style. Ever upward, ever forward.
For #HopeTuesday today, I offer you a metaphor. Let’s rekindle our dream of a clean, sustainable, prosperous future with opportunity for all – a true and attainable American dream. I took this shot of the World’s Fair monorail, which connects the EMP and Seattle Center with downtown, in November of 2013. What could possibly be more optimistic, more hopeful, for Americans than a train destined for a technological Utopia?
Monorail, EMP Museum and Seattle Center
Siyayilanda – we are fetching our future.
It’s #HopeTuesday, and time for a brief object lesson.
Few cultures in our lifetimes have struggled harder against oppression than the South Africans. Read more
I recently took the camera up to Denver’s River North Arts District (RiNo) to shoot some of the street art in the neighborhood’s alleys. There is a lot of talent in the 5280, and I thought I’d share some of it for #HopeTuesday. (Captions are my titles.)
Today we launch a new campaign aimed at taking back the future.
The original text for this meme was a lot longer. But when you boil it down to its essence, the message is pretty straightforward. We have become so incredibly negative that it’s eroding our ability to even consider the positive. We’re so terrified of where we are that we have ceased thinking about where we want to be.
In a world that’s 100% about problems, we have no energy left to discuss solutions. Nobody is for anything, only against.