The 2017 remake of the manga classic is marvelous to behold, but not especially filling emotionally.
Ghost in the Shell
Went to see Ghost in the Shell the other day. In IMAX. IMAX 3-D, to be precise. Initial impressions:
1) It’s just fucking gorgeous. The designers have studied the classics, from Blade Runner on down, and they create a world that does justice to the genre. This flick ought to win all the technical Oscars.
2) The story itself works well. Read more
I’m currently reading Christopher Moore’s 2006 novel, A Dirty Job, and am nearing what I expect to be a slam-bang, fun-filled, rollicking climax. I picked it up because I thought Lamb, the story of Jesus Christ’s life as told by his best friend Levi, who is called Biff, was one of the funniest things I’d ever read. If you haven’t run across these books yet, consider them recommended.
Anyway, last night, as we got deeper into protagonist Charlie Asher’s investigation of the doings at the mysterious Buddhist center in San Francisco’s Mission district, my pique finally got the better of me. To wit, why the hell is this not yet a movie?! Seriously, A Dirty Job is box office magic waiting to happen. So I hit the Internets and discovered that the rights were indeed picked up, in 2006, by Chris Columbus and 1492 Productions. CC is the guy who brought us the first two films in the Harry Potter series and Home Alone, as well as Reckless, Gremlins, The Goonies, Mrs. Doubtfire and Night at the Museum. While he’s had some missteps along the way – who in Hollywood hasn’t? – he’s clearly a man who knows a thing or two about the aforementioned box office magic, right? Read more
Our real photographer, the estimable Lisa Wright, is on vacation, so I ventured out last night, new camera in hand, to see if I could capture something vaguely interesting for our readers. As luck would have it, they were showing A Star is Born, the 1937 classic starring Janet Gaynor, on the lawn in front of the old Elitch Gardens Theater.
Watch the two TED talks below. The question, which represents 100% of your final grade, follows.
First, Nick Hanauer in 2012.
The uncanny valley is a hypothesis in the field of robotic and 3D computer animation, which holds that when human replicas look and act almost, but not perfectly, like actual human beings, it causes a response of revulsion among human observers. The “valley” in question is a dip in a proposed graph of the positivity of human reaction as a function of a robot’s human likeness.
This, from the folks at game developer Quantic Dream, is simply remarkable.
American propagandists and PR hacks have developed remarkably innovative ways of making words lie. Back in the ’80s we had “freedom fighters,” which was the way we described death squads who were friendly to America. “Pro-life” can be used to describe those who bomb clinics and murder physicians. “Enhanced interrogation,” of course, means “torture.” And so on. In some cases this Orwellian distortion of the language falls under the category of “euphemism,” but the more insidious innovations can be so subtle that we don’t recognize the way the language is being gamed unless we think about it very hard.
One of the most dangerous new lies: “tort reform.” Read more
My colleague Michael Sheehan recent offered a tip of the cap to a local staging of Frost/Nixon, which starred our old friend Stuart O’Steen. If anything, Mike was understated in his praise of the show and O’Steen’s performance. Anytime the big-city Denver Post says nice things about a community theater production up in the hinterlands of Longmont you know something special is afoot.
After the show, as we waited for a chance to congratulate the cast, my companions and I found ourselves discussing a topic that has come to intrigue me a great deal: the curious rehabilitation of Richard Nixon. Read more
Every movie has a soundtrack. And let’s be honest – most of them are as unmemorable as … well, as the movies themselves. At its best, though, the music captures the spiritual essence of the auteur‘s vision, interacting with the film in ways that are simply transcendent. One plus one equals infinity, and it’s impossible to ever conceive of song and scene independently again.
There are three such instances that stand out in my memory, and they run the gamut from ridiculous to sublime. Rather than picking one, let’s consider all three. Read more
Ten years ago, at the turn of the millennium, Nostraslammy took a stab at predicting the 21st Century, with a promise to check back every ten years to see how the prognostications were turning out. Odds are good I won’t be able to do a review every ten years until 2100, but I figure I’m probably good through 2030, at least, barring some unforeseen calamity. And if you’re Nostraslammy, what’s this “unforeseen” thing, anyway?
Let’s see how our 22 articles of foresight are holding up, one at a time.
1: Researchers will develop either a vaccine or a cure for AIDS by 2020. However, it will be expensive enough that the disease will plague the poor long after it has become a non-issue for the rich and middle classes (although this is one case where political leaders might fund free treatment programs). The end of AIDS will trigger a sexual revolution that will compare to or exceed that of the 1960s and 1970s (unless another deadly sexually-transmitted disease evolves, which is certainly a possibility). Read more
Pulitzer- and Emmy-winner William Henry‘s famous polemic, In Defense of Elitism (1994), argues that societies can be ranked along a spectrum with “egalitarianism” on one end and “elitism” on the other. He concludes that America, to its detriment, has slid too far in the direction of egalitarianism, and in the process that it has abandoned the elitist impulse that made it great (and that is necessary for any great culture). While Henry’s analysis is flawed in spots (and, thanks to the excesses of the Bush years, there are some other places that could use updating), he brilliantly succeeds in his ultimate goal: crank-starting a much-needed debate about the proper place of elitism in a “democratic” society.
Along the way he spends a good deal of time defining what he means by “egalitarianism” and “elitism.” Read more
Let’s begin with a quick trivia question. What legislator’s Top 20 donor list includes the following?
We’ll have the answer for you at the bottom. Read more
Horror of the “gothic” variety that occupied so much of the conversation between Byron and the Shelleys (these would be the conversations that ultimately gave rise to Frankenstein) has traditionally traded in some easily recognizable tropes. Among the most common are your haunted places. Swamps and moors are always a little scary. Graveyards and crypts, of course. Transylvania.
And then there’s haunted houses. Dark mansions, castles on top of hills. Abandoned homes where terrible things once happened. Subdivisions built on top of Indian burial grounds. And so on. Read more
When we think about Halloween and art, we sort of automatically think of film. And why not. We have a decades-long library of movies designed to scare the pants off us. But there are some bands out there working the shadows with their music, as well. While it’s unfair to dismiss so many talented artists as Halloween acts – because talented and unconventional is cool 24/7/365 – it’s also true that during this week the veil between the mundane and arcane grows thin.
So, to help you prepare your playlist, here are some of our scary music favorites.
First, from Toronto, one of the absolute best darkpop bands in the world, The Birthday Massacre. This is their video for “Blue”: Read more
Well, ArtsWeek sure has been fun, huh? Great posts, great reviews and interviews, great photography – makes you wish it happened more often, doesn’t it?
Well, there’s no rule that says it can’t. So let’s do it again, and this week, in honor of Samhain (that’s “Halloween” to most of you), let’s focus on the darkness that lies within us all….