Friend: Hey, Yogi, I think we’re lost.
Yogi Berra: Yeah, but we’re making great time!
It’s probably clear to anybody who pays attention that I’m a rock & roll guy. But I was raised by my grandparents, two country folks who were born in 1913 and 1914 respectively and grew up through the Great Depression. There were two kinds of music in my house, country and gospel, and those aesthetics – the melodies and harmonies, the minor chord dips and the aching they signify, the constant battle between ignorant hope and blunt despair – they shaped my relationship with music in ways that will accompany me to my grave.
We listened to gospel quartets on Channel 12 Sunday mornings. The rest of the time, if there was music in the house, it was the likes of Johnny Cash, Loretta Lynn, Roy Acuff & the Smoky Mountain Boys or Cowboy Copas. Granddaddy and Grandmother liked to watch The Porter Wagoner Show (with Dolly Parton, of course) and Saturday nights meant Hee Haw, with Buck Owens, Roy Clark and some of Nashville’s greatest stars. Read more
Following up on yesterday’s post about how unfair it is when progressives fight fire with fire…
One of the architects of the modern conservative boycott movement back in the day was the now-deceased Rev. Jerry Falwell, founder of the “Moral Majority.” His strategy was simple. Identify those television and radio stations whose programming “promoted” a “liberal agenda” or “secular humanist” values, then leverage the purchasing power of the congregation to bully offenders into changing their programming. Sadly, this brand of thuggery (remember, this is generally the same crowd screeching right now about how “liberals” are “censoring” the “free speech rights” of the richest, most successful, most widely heard man in political talk radio) proved effective enough that it has now become a go-to weapon in the arsenals of interest groups across the partisan spectrum. Read more
It seems that after several days of mounting public pressure, Rush Limbaugh has finally cracked. How else could you explain his attempt to move beyond this whole “hating on young women” debacle by continuing to attack young women? Today’s victim? Author Tracie McMillan, who represents another one of those awful “overeducated” young unmarried women Rush so emphatically resents. (More)
This one isn’t as vitriolic as the Sandra Fluke case, but it certainly makes clear that Rush is committed to the War to Keep ‘Em Barefoot and Pregnant for the long haul.
Limbaugh’s remaining advertisers have to be just loving this stuff….
I could go a lot of different directions here, but I decided to be straight-up about my self-interest. I’d like to hear Fiction 8‘s “Hegemony” on the radio, partly because I just love the song, partly because I’m good friends with front man Mike Smith, and oh yeah, partly because I co-wrote it. (More on that process here and here.)
Cue me up, Mr. DJ.
In a recent discussion on one of my political lists Sara Robinson (easily one of the brightest folks in the blogosphere) made an important point about what often causes people to migrate from socially conservative perspectives to more progressive points of view. In describing her experiences with a particular activist group that helped people leaving fundamentalist religions (something that can be emotionally traumatic at the very least, and that frequently comes at a significant price in their lives – lost families, ostracization, etc.), she noted:
[T]he first sliver of doubt came about when the person’s authorities asked them to believe something that they simply could not reconcile with their own experience. In a plurality of cases, this dissonance was caused by knowing and caring for someone who was gay, and realizing that the conservative storyline on the inherent evil of homosexuality just didn’t line up with what they knew of this wonderful person. (If the religious right knew just how often this one issue triggered those first unignorable doubts, they’d walk away from gay-hating and never go back to it.) Read more
I remember distinctly how I first discovered Jag Star. I was snooping around on eMusic for new bands and was using the old triangulation method – who sounds like band X? One of my favorite bands is VAST, and Jag Star turned up as a “Similar Artist.”
That was both a great moment and a confusing one. On the one hand, I immediately liked Jag Star’s music. I’ve long loved Power Pop, and while you wouldn’t exactly slot Jag Star in with other bands in the contemporary disciples of The Beatles / Raspberries / Who / Big Star / Badfinger Pop Underground scene, they write great hooks, play really well and aren’t at all afraid to turn up the volume. Not only that, they’re doing it on their terms, the establishment and labels be damned.
On the other hand, I can’t for the life of me figure out how they got into the “Sounds Like VAST” queue. Read more
In Part 1 we had a look at some very good 2009 releases, and in other years some of those CDs might have made a run at a Platinum LP. As I said, though, this was maybe the best year for new music since Jimmy Carter was president. So please, give these recipients of the S&R/Lullaby Pit Platinum LP a listen.
The Platinum LPs
Antony & the Johnsons – The Crying Light
There doesn’t seem to be a lot of in-between where Antony Hegarty is concerned. Listeners either get it or they don’t, and while I’m in the “he’s brilliant” camp, I do understand why some find his music hard to access. In a nutshell, it’s probably some of the most painful stuff I’ve ever heard – pure, distilled essence of anguish at times. Read more
2009 was arguably the best year for new music since 1979, and that’s saying a lot, even if I’m wrong. For whatever reason, this year was just packed with incredibly great CDs from bands we knew were great, bands we didn’t know were this good, bands we hadn’t heard from in a long time and bands we’d never heard of, period. The result – it was all I could do to keep up, and I fully expect to spend the next couple of years tripping over even more awesome releases from 2009 that I missed this year. So in advance, apologies to those artists I didn’t find my way to in 2k9.
So here’s the format. There are usually three tiers: Gold LP, Platinum LP and CD of the Year. (The LP is taken from my personal site, Lullaby Pit, which is where this annual tradition started several years ago. And the fact that albums used to be LPs. Get it?) This year the glut of outstanding CDs have necessitated the addition of a new level – SuperPlatinum – because a few of those platinum discs are a notch above the rest. Over the next few days, then, the Scholars & Rogues/Lullaby Pit Best CDs of 2009 will be rolled out in four installments.
Up first, in roughly alphabetical order… Read more
Child rapist Roman Polanski has been apprehended in Switzerland. Read all about it.
Outrage is palpable – on both sides. Yes, there are two sides. In addition to the “hang the pedophile” side, there’s the – if I might repurpose Wilde here – unspeakable in defense of the unconscionable crowd. Hey, lighten up folks. It’s not like the guy was a priest or anything.
Anyway, those in the hang-the-pedophile camp are offering up as aggravating evidence some wild shit Polanski said back in 1979.
“If I had killed somebody, it wouldn’t have had so much appeal to the press, you see? But… fucking, you see, and the young girls. Judges want to fuck young girls. Juries want to fuck young girls. Everyone wants to fuck young girls!”
Appalling. Just disgusting, isn’t it? Read more
You may not have heard of Adam Marsland. You may not have heard of his former band, Cockeyed Ghost. But as we’ve tried to demonstrate, time and time again, that doesn’t necessarily mean anything. Radio is a wasteland, the RIAA is waging a toxic war on the artist, and the explosion of media and Internet channels has so fractured and nichified the listening audience that the Second Coming of The Beatles probably wouldn’t be noticed by more than a few hundred people. Upshot: there’s a lot of great music out there that you and I haven’t discovered yet (although I’m searching as hard as I can). Read more
We do not want this war, this violence, and we’re ashamed that the President of the United States is from Texas. – Natalie Maines
I don’t even know the Dixie Chicks, but I find it an insult for all the men and women who fought and died in past wars when almost the majority of America jumped down their throats for voicing an opinion. It was like a verbal witch-hunt and lynching. – Merle Haggard
Last night over dinner the subject of The Dixie Chicks came up, and I got mad all over again. Which is unfortunate, because when you think about artists that talented the last thing on your mind ought to be anger. But still, it’s been six long years now since “the top of the world came crashing down,” and I can’t quite free myself of my rage at the staggering ignorance that led so many Americans to piss on the 1st Amendment by attempting to destroy the careers of Natalie Maines, Martie Maguire and Emily Robinson. Read more
People say the funniest things.
In the latest Lefsetz Letter, Bob Lefsetz, incredulous at how little play the new Antony & the Johnsons disc has gotten in the US, wonders:
Are Europeans just that more sophisticated, or does radio suck just that badly in the U.S?
I can’t speculate on the first part of the question, although I have some suspicions.
Regarding the portion after the comma, I can only guess that this is one of them “rhetorical” questions I’ve been hearing about.
If you pay attention to my music entries, you may have noticed a recurrent theme. It seems a lot of the bands I hear these days, many of which I really like, remind me of bands from the past. Like The Mary Onettes:
I recently tripped across one such example, Sweden’s The Mary Onettes. They can’t seem to make up their minds whether they want to be The Church, Echo & the Bunnymen, or maybe something along the Joy Division/New Order continuum.
And The Flaws:
In a nutshell, The Flaws are [Joy Division] meets The Killers with a smattering of Johnny Marr. Read more
Most years are pretty good for music if you know where to look, and 2008 was no exception. It’s a shame that you have to search so hard, of course – once upon a time all you needed to keep track of what was good in the world of music was a radio. These days it requires a little effort, though, and while I lost count a long time ago, I probably sampled a few hundred CDs in the last 365. Thank the gods for the Internet and a growing network of friends who make sure to let me know whenever they hear something worthy, huh?
This is part one of three. The Platinum LP Awards will be along soon, and that will be followed by the CD of the Year post. So here we go with last year’s Gold Awards for Very Good CDs. These are in alphabetical order, more or less. Band Web sites link to the band name, and if the CD is available via eMusic, that links to the CD title. If you want to purchase from eMusic, click on the link in the right column for a really good deal (as in lots of free downloads).