Tag Archives: U2

Who are the greatest role players in rock history?

In sports they’re called “role players.” They’re the working class guys who play defense, dive for loose balls, get under the opponent’s skin, fight it out in the trenches. They’re not stars and they don’t make the big bucks or have lucrative endorsements or land supermodel wives. But without them you don’t win, period. Music has role players, too. We

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TunesDay: Are The Killers the greatest band in the world? We find out today…

A lot of bands have released pretty good debut records, only to follow them up with less-than-spectacular careers. The rule used to be (before the FCC, the recording industry and the radio industry conspired to destroy all music) that you learned what you needed to know about a band with its third album. Given how things worked, you often saw

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TunesDay: The Lost Patrol’s epic retro-futurism

Here’s how the blurb at CD Baby puts it: Cinematic ethereal, spaghetti western flavored retro-futuristic music with powerful female vocals. // A sweeping, cinematic, wide-screen journey that combines ethereal sound scapes with surf-tinged guitar. Perfect for those late night rides across the desert with the top down. … Uniquely original retro-futurism. Yeah, that’s fair. But there’s a lot more to

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ArtSunday: the nonlinearity of influence

“I’m interested in what motivates you, and how you understand the world.” He glanced sideways at her. “Rausch tells me you’ve written about music.” “Sixties garage bands. I started writing about them when I was still in the Curfew.””Were they an inspiration?” She was watching a fourteen-inch display on the Maybach’s dash, the red cursor that was the car proceeding

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Even better than the real thing: mass media and manufactured beauty

Give me one last dance We’ll slide down the surface of things You’re the real thing Yeah the real thing You’re the real thing Even better than the real thing I figured out a long time ago, even before I began encountering grad-level feminist critiques, that our media’s stylized construction and portrayal of female beauty was problematic. It’s bad enough

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