The independently minded political animal always wrestles with times of transition, and the changeover from the Bush to Obama regimes has been worse than most. During the Dubya years it was easy to identify the enemy and to hate him with a blinding passion. Sweet Jesus, George II and his sidekick, The Dick Cheney, played their roles with less nuance than the bad guy in Rambo 12: Return of Ming the Merciless (directed by Roland Emmerich), making it easy to identify with the loyal opposition just on principle.
But it’s important to remember that the enemy of my enemy isn’t necessarily my friend. They might just be fighting over which one gets to eat my tender bits. Read more
Yesterday over at Future Majority, Kevin Bondelli responded to Jack Hough’s New York Post column “Don’t Get That College Degree!” Bondelli’s take led with one of the more terrifying titles I’ve seen lately: “Has College Become a Bad Investment?” Yow. When you dig the hole so deep that you can even use that kind of question as a rhetorical device, you know you’re in some deep, deep kim-chee. Seriously. That one ranks right up there with “Is breathing really a good idea?” and “What are the lasting benefits of a howitzer shot to the balls?”
Snark aside, Bondelli does a nice job of addressing Hough, who “argues that the increase in lifetime wages for graduates no longer makes up for the financial burden of university education and the ensuing student loan burden.” He also takes on one of the GOP’s most successful and devastating canards, explaining that Read more
A modest proposal, perhaps.
It’s been entertaining watching American public “discourse” since the election. (I use that word in its broadest, most ridiculous sense, since nothing that hinges so completely on self-absorption, rank ignorance and pathological dishonesty can be accurately characterized by such a noble word. But indulge me. I’ve been working on my irony lately.)
On the one hand you have conservatives fainting dead away that we’re now in the clutches of a “socialist” president. Never mind that these folks wouldn’t know a real socialist if he was gnawing their balls off. Never mind that most of these folks think “socialist” is the French word for Negro. Never mind that Obama demonstrably is to socialism what Joe the Plumber is to brie-sucking Northeastern intellectualism. As arch-conservative TV pundit Stephen Colbert says, “this is a fact-free zone.”
On the other you have the righteous outrage of the progressosphere, which feels six different kinds of betrayed by a president who promised them the moon and stars and has now left them to what looks like at least a four-year walk of shame. If I might borrow from an old fraternity joke, imagine the following scene from the Oval Office: Read more
Part two in a series.
There’s a rising tide on the rivers of blood
But if the answer isn’t violence, neither is your silence
– Pop Will Eat Itself, “Ich Bin Ein Auslander”
When all is said and done, nothing communicates the racism and knee-buckling stupidity of all-too-wide swaths of our nation quite like video. So if you don’t trust me to tell the truth about these folks, maybe you’ll trust their own words.
Part one in a series.
Listen to the victim, abused by the system
The basis is racist, you know that we must face this
In 1991 Pop Will Eat Itself produced one of the most damning comments on racism in society in the history of popular music. “Ich Bin Ein Auslander” was specifically aimed at anti-immigrant racism in Europe, but over the past 17 years it’s been impossible for me to hear the song without mapping its penetrating, undeniable truth onto our American context. Our black auslanders aren’t recent arrivals (although many of our brown ones are), but they nonetheless remain social, political, economic and cultural outsiders, and whatever progress they may have made in the several hundred years since they first arrived in shackles, only a fool can believe that the basis is no longer racist.
I said some time back, as the presidential election lurched into overdrive, that the heavy racist stuff was coming. Read more
A few weeks ago I watched The US vs. John Lennon, a documentary chronicling the extraordinary lengths the American government went to in order to silence an artist who had the audacity to speak out against corruption and injustice. Of course, Lennon came from an age when artists did that sort of thing, and he wasn’t the only musician to get on the nerves of the authorities during the tumultuous ’60s and ’70s. I imagine the FBI had a file on folks like Bob Dylan, too.
But we don’t live that world anymore, do we? These days the pressure to shut up and sing is greater than ever, and those who benefit most from our silence have engineered newer and more effective means for muzzling the consciences of those whose voices can actually be heard above the deafening white noise.
Last night my wife and I watched Shut Up and Sing, another documentary about an artist who had the temerity to speak the truth. Read more
No, this isn’t a rhetorical question. And it’s not one I pose lightly, either. But since Bill seems to want us to ask it, let’s review the evidence.
In case you missed it, O’Reilly stirred it up again recently by commenting on his dinner at a black-owned restaurant in NY called Sylvia’s.
After eating dinner at a famed Harlem restaurant recently, Fox News Channel’s Bill O’Reilly told a radio audience he “couldn’t get over the fact” that there was no difference between the black-run Sylvia’s and other restaurants.
“It was like going into an Italian restaurant in an all-white suburb in the sense of people were sitting there, and they were ordering and having fun,” he said. “And there wasn’t any kind of craziness at all.” O’Reilly said his fellow patrons were tremendously respectful as he ate dinner with civil rights activist Al Sharpton.