Tag Archives: South

Secession: it’s fun to talk about, but is it actually plausible?

Ever since FOX called Ohio for Obama last Tuesday night (touching off a near-hysterical conniption from Karl Rove), talk of secession has been rampant. Groups in all 50 states have started petitions aimed at leaving the Union, with Texas (predictably) reaching the minimum threshold of signatures first. We’ve written about secession here at S&R a good bit, with Frank Balsinger’s piece

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High noon in the garden of polite and evil: the ugly truth about “Southern hospitality” (by a guy who grew up there)

I grew up in the South. I have lived roughly 33 of my 51 years below the Mason-Dixon and past the occasional trip for business or to visit friends and relatives I shan’t be going back. The reasons are numerous, but the one I’m concerned with today involves that most sinister of myths. I’m referring, of course, to Southern hospitality. To

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Mitt Romney, Man of the People, unleashes his inner hillbilly

At a campaign stop in Mississippi, Mitt Romney declared hisself an “unofficial Southerner.” After accepting Mississippi Gov. Phil Bryant’s endorsement, Romney turned his attention to his bodyguard, Garrett Jackson — a Mississippi native — whom he credits for his transformation into an “unofficial Southerner.” “He is now turning me into an, I don’t know, an unofficial Southerner,” Romney said. “And I’m

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America’s Negro Cracker Problem: none of us are free

Part two in a series. There’s a rising tide on the rivers of blood But if the answer isn’t violence, neither is your silence – Pop Will Eat Itself, “Ich Bin Ein Auslander” When all is said and done, nothing communicates the racism and knee-buckling stupidity of all-too-wide swaths of our nation quite like video. So if you don’t trust

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America’s Negro Cracker Problem: Ich bin ein Auslander

Part one in a series. Listen to the victim, abused by the system The basis is racist, you know that we must face this In 1991 Pop Will Eat Itself produced one of the most damning comments on racism in society in the history of popular music. “Ich Bin Ein Auslander” was specifically aimed at anti-immigrant racism in Europe, but

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